Research claims that 25% of tweets are not worth reading. So what?

English: Microphone

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According to research from a team at Carnegie Mellon University, the Massachusetts Institute of Technology and the Georgia Institute of Technology, we think that 25% of tweets are not worth reading. The study found that, when asked to rate tweets by people they follow, only 36% of tweets were marked favourably, 25% were marked less favourably and the balance (39%) received no strong feeling either way. Press coverage of this study has invariably interpreted this to mean that up to a quarter of what we say on Twitter is a waste of time (see the Daily Mail and the Daily Telegraph coverage of the research).

The research itself asked users to self-nominate themselves to take part and, in exchange for having their own tweets rated, we asked to rate samples of tweets from people they follow. As with much academic research, this does take them out of their normal context when using Twitter but the results are interesting and informative. Maybe not for the interpretation that is taken by some of those reporting on it, but for what it tells us about how we use Twitter. Or perhaps how it reinforces what we should already know.

People are not interested in everything that people say on Twitter. They are not even interested in everything that the people they choose to follow say. There should be nothing surprising or controversial about this. It is fairly normal in all our social interactions that we are more interested in some things and less interested in others. I’m mainly surprised that we are uninterested in only 25% of things that people we follow say on Twitter.

Twitter is a classic social network. People who use it by following people (rather than by following hashtags or search strings) make a choice about who to follow based on who they are, what they say in their biography and perhaps some of their tweets at the time that we choose to follow them. I am unlikely to share everything in common with them – I may be interested in their tweets about BBC Question Time on a Thursday, for example, but less interested in their Tweets about the Super Bowl. I am unlikely to find you interesting all the time. And that’s nothing personal. And nothing unusual.

So as a reader I am unlikely to find everything that anybody says on Twitter interesting – I mentally filter out what I want to read and what I don’t want to read. If I really don’t want to read things on a certain topic, I can always filter it out with Tweetdeck or the like.

Just as readers are not necessarily interested in reading everything, those who write tweets are not necessarily writing them to be read. There is a clear disconnect between the person writing the tweets and the people reading them. The writer is not (in most cases) thinking about who will be reading it and why. They are just saying something. Saying it because they want to. That in itself is motivation and on the rare occasion that a tweet will be retweeted or responded to they will get further gratification.

So we are not interested in everything even our closest friends say (probably true in real life and on Twitter). And people are often writing on Twitter for the act of writing something and not necessrily composing it for specific audience or a specific reaction. Given that most people follow a collection of people with many different interests, some of whom they know and some of whom they don’t, it surprises me that only 1 in 4 tweets that we see are not of interest to us. This study certainly doesn’t show that those Tweets are a waste of time.

Instagram and the growing power of photography in social media

Into the valley of Death

Into the valley of Death

The Crimean War of the 1850s was a revolution in communication. For the first time reports from the battlefield were returned in what felt like near-real-time thanks to the electric telegraph transmitting messages in just hours rather than them having to be sent by horse across Europe. Many people complained about the impact of this real-time news, and the harm that it did reporting on the events tragedies of the war as they happened.

Perhaps more contentious, however, than this written word reporting was the use, for the first time, of war photography with photographs from Roger Fenton showing the real detail of what was happening. Whereas once newspapers had to rely on words, etchings and drawings to report what was happening, they could now show actual photos of war, of people and of suffering. Photos proved to be more powerful than even the real-time written word back in the 1850s.

If 2011 was the year Twitter and citizen journalism came of age, 2012 is set to be the year that social photography comes of age. And it could be even more powerful.

Whilst we have been used to Facebook focusing on photography for some time, that platform is more often about sharing photos with a (relatively) close group of friends. Family events, babies, parties, special holidays. These kind of events are very personal and reflect the nature of Facebook – where you (broadly speaking) network with people that you know or that you have chosen to share personal connections with. The growth of photography in more public social networks and online communities is more nascent, but is one of the most interesting and powerful areas where social is developing.

Photography is different. It allows you to share a moment and allows you to give people a real insider view of what you are doing or what is happening. It also travels across linguistic boundaries with ease. For individuals, photography is a simple way of sharing what you are doing, capturing the essence of your life at a particular moment and sharing that with others. It often has more social currency than the written word (especially than the written Tweet) – imagine trying to describe what is happening in any photograph in a single tweet and you will see it conveys so much more ‘information-per-instance’. It can also be appreciated on a number of different levels – the content of the photograph, the moment it is capturing, the framing, the use of colour – increasing its value and shareability to different people and different communities.

Brands and celebrities can also benefit from photographs. There is still a huge amount of social currency in going ‘behind the scenes’ – allowing people to see things that they cannot normally see. Because of the high rate of ‘information-per-instance’, a photograph can often give people much more than endless status updates or Tweets. For celebrities, it is a way of letting people into your lives (and controlling this) – imagine the power of you sharing your own holiday photos or photos of your weekend. People will consume this content avidly as it provides what feels like real access to their lives (just look at Justin Bieber or Barack Obama on Instagram). Brands can also benefit from using photographs in the same way to show behind the scenes and to control the access people get into events, decisions and the brand itself from Starbucks sharing photos from stores worldwide, to Tiffany & Co showing people what happens behind the scenes to their jewellery and diamonds.

Photography offers real power to individuals, celebrities and brands to capture and share much more information that can easily be shared in a written Tweet. It allows you a window into what they are doing and seeing right now and can be shared easily between communities and across borders. 2011 saw the rise of camera phones and more importantly of social photo sharing apps – notably Instagram – which lower the barriers to social photography. As these continue to rise in popularity and usage in 2012, we should expect to see more photography shared by more people.

Whereas 2011 saw people getting used to messages from Twitter being used in traditional media (from newspapers and TV reports) we should expect 2012 to be the year of social photography. Bringing insights into events around the world through photographs and showing, as Roger Fenton did in the Crimean war, the power of photography alongside the written word.

So you’ve tweeted something you shouldn’t have…what next?

After drunken night at Chris' II_MMVI

Image by andronicusmax via Flickr

It’s happened to all of us. We think we’re logged into one account, when actually we’re logged into another. We think we’re sending a Direct Message, when actually we’re sending a a message to the world. Or maybe we just don’t think and regret saying something. Whether you’re an individual or a brand, Tweeting something you shouldn’t have can be a cause of concern, panic and, often, inertia. What should you do? Ignore it? Apologise? Do you risk making things worse?

Here are some simple thoughts to help you decide how you should act and what you should do when that mis-Tweet happens.

So you Tweeted from the wrong account

Maybe you have two accounts – one for a close group of friends and one that is public – or maybe you Tweet on behalf of a brand as well as in a personal capacity. Tweeting from the wrong account is a common occurrence for many people and is easily done. In many cases this won’t be a problem – okay maybe you just told your friends all about some special offer your company has on this week or pointed them to a blog post they probably aren’t interested in, but that doesn’t really matter. Nor does it necessarily matter if you tell your brand’s followers about a football match you are at or what you are watching on TV – as long as these Tweets aren’t hugely inappropriate they reinforce that there is a real person behind this branded account who does real stuff in their real life. In these cases, a simple (possibly humourous) acknowledgement that you sent the Tweet to the wrong place should suffice. And remember to not do it again!

Things become more difficult if you have said something inappropriate to the audience (or just inappropriate per se). If you’ve tweeted something to the world that you meant only for some close friends you need to make sure you delete the message, apologise and apologise to anybody who mentions it or complains to you. If you’re a brand and an employee has done the same then the same rules probably apply: delete the Tweet, apologise and apologise to everybody who mentions it. If you’re a brand you might also want to consider if the employee’s conduct required disciplinary action and it may be worth including this information in your apology Tweet.

So you sent a Direct Message to the world by mistake

A mistake many novice users make and that is also easy to do. Again, there may be no problem here – if the Tweet isn’t offensive to the audience that sees it (and isn’t confidential) then apologise and maybe just leave it. The problem comes when the Tweet isn’t appropriate for everybody to see, and if it was a DM in the first place this is highly likely to be the case. Once something is public others will be retweeting it and mentioning it so you cannot just pretend the Tweet didn’t happen. You can just follow the same process as above: delete the Tweet, apologise and explain to those that mentions it and be more careful in future. You may also choose, especially if you are new to Twitter, to show some humility (“Looks like I’m still getting used to Twitter, doesn’t it…”).

You should also consider what you are using DMs for and what you are saying – maybe what you said was better off Twitter completely.

So you regret something you said on Twitter

Finally, and the most common situation, you say something that you later regret. Maybe you Tweeting something late at night that you wouldn’t say in the cold light of day. Maybe you said something that sounds worse than you meant. Or maybe your conversation should never have been public in the first place. Just as with a mis-Tweet, if you say something you later regret then you can’t just pretend it never happened. People may be retweeting it and mentioning it already. One thing you should consider, however, is whether you making an issue of the regretted Tweet will actually make things worse. Some Tweets (especially those late at night) may go unread and as long as they are misjudged rather than offensive or libelous it may be that you just leave things.

However, in most cases you will need to act. If what you have said is offensive to some of your audience and you regret it you should probably apologise – be open and honest that it was a mistake and you regret it now, contact people directly with the same apology. And then think carefully about how and when you use Twitter.

We all make mistakes and people understand that. But we should think carefully about what we say on any public channel (our personal accounts or a branded account) and think if it would be better to just not say it at all in the first place.

Why people don’t want to follow you on Twitter or Like you on Facebook

This morning I presented on the importance of remembering the people involved in social media – who you are engaging and what they want from you. When brands struggle on Facebook or Twitter it is usually because they haven’t thought through what is in it for the people they are engaging. It is easy as a brand to decide how you want to use social media, and what you want people to do. It is less easy, but more important, to consider what the people you are engaging want to do.

I decided to show this through a simple story – that of Mary (a mum) and Jack (who works in marketing for a large FMCG firm). Jack wants to sell a new breakfast cereal to Mary and thinks that social media isn’t the answer. But he has made a big mistake…

The story is simple but it is one many brands can learn from – understand the motivations, needs and interests of the people you are looking to engage. If you don’t they probably won’t want to follow or Like you.

Majority of Britons now use Facebook or Twitter (statistics)

night rays

Image by dobrych via Flickr

The latest data from the Office of National Statistics n the UK shows that, for the first time ever, over half of adults accessed social networking sites in 2011. The annual British Internet Habits survey showed that in 2011, 57% of over-16s in the UK are using the internet for social networking, as opposed to 43% in 2010. This is a significant landmark, and the rate of growth is impressive and it shows the importance of social networking in the lives of British adults.

Digging deeper into these statistics we can start to understand more about use of social networking in the UK:

  • Women are more likely than men to have used social networks, with 60% of them using such sites in 2011 (compared with 54% of men)
  • Social networks are all but ubiquitous for the 16-24 year olds, with 91% of this age range using them. Usage is high for the 25-34 year old (76%) and 35-44 year olds (58%).
  • Almost one in five of those aged 65+ use social networks (18%)

Alongside this marked increase in the use of social networks in the last year, the survey data reveals more about how British adults are using the internet:

  • The most popular activity online is, unsurprisingly, to find information about good or services that people want to buy – this reinforces the importance of his channel in the education and buying process
  • Men are more likely than women to consume news online (57% compared with 47%)
  • Almost one in three UK adults (31%) have sold their own goods online
  • Professional networking (such as LinkedIn) is most popular with those aged 25-34 and 25-44
  • The use of internet for phone calls is increasing – with 29% of UK adults making a call over the Internet in 2011
  • Internet access from mobile devices is increasing dramatically – with 45% of UK adults accessing the Internet from these devices, up from 31% in 2010.

However, this data also highlights the 23% of the UK population who have no access to the Internet at home, with half of these people saying that they have no need for the Internet at all.